‘Marco Polo’ by Daniel Breda is an interactive exhibition that examines contemporary space through the juxtaposition of physical and virtual spaces utilising traditional painting, installation and virtual reality (VR). In this exhibition, Breda extends his practice through a bold and bright abstract adaptation of the classic Australian swimming pool game ‘Marco Polo’.
‘Marco Polo’, is a childhood call and response game, where one player is metaphorically blindfolded in a body of water. The blindfolded yells ‘Marco’ in which case the other players yell ‘Polo’ until the blindfolded reaches out and touches a responder. Similarly, this exhibition will see Breda collaborate with award winning leader in VR, Brennan Hatton to showcase an interactive VR experience inspired by these childhood thematics. The exhibition expresses Breda’s love of creating active participation in the gallery space alongside his painting practice to form juxtapositions between innovative technology and traditional art.
Breda’s painting practice romanticises the Australian landscape from a neo-futurist perspective. The subject matter is representative of organic matter, such as mountainscapes, beach scenes and waterways, juxtaposed with hard edge abstraction reminiscent of urban developments.This is inspired by the Italian Futurist’s concept of ‘dynamic sensation’, depicting natural and mechanical forms in the pictorial plane as a unified force. Painted from what have become distant memories, each of these works depict landscapes seen whilst touring Australia as a band member of the Wollongong based punk band, ‘Hoon’. The works depict the vastness and beauty of the Australian landscape between major cities, juxtaposed with geometrical forms representative of the few architectural and mechanical forms that occupy these spaces.